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New PDF release: 3D in Photoshop : the ultimate guide for creative

By Zorana Gee

ISBN-10: 0240813774

ISBN-13: 9780240813776

ISBN-10: 0240813782

ISBN-13: 9780240813783

This is the 1st ebook of its sort that exhibits you every little thing you want to understand to create or combine 3D into your designs utilizing Photoshop CS5 prolonged. while you are thoroughly new to 3D, you can find the nice counsel and tips in 3D in Photoshop worthwhile as you start. there's additionally a wealth of designated technical perception if you happen to wish extra. Written through the genuine specialists - Adobe's personal 3D group - and with contributions from the superior and brightest electronic artists operating at the present time, this reference consultant may also help you to create a complete workflow that fits your particular wishes. alongside the way in which, you will choose up troubleshooting guidance and suggestion from the specialists and you will be encouraged through many examples of complete colour, unique works of 3D art.

If you are already utilizing Photoshop in your electronic paintings and need to benefit how one can include your 3D parts into one workflow, you will find new methods of operating with Photoshop that you just most likely by no means knew existed. tips on how to fast generate appealing 3D extrusions from textual content layers, choices and extra. Brush up in your portray, texture production and modifying talents, and methods to composite 3D to second scenes. you will additionally become aware of the secrets and techniques to making Lenticular pictures. it is all right here during this complete consultant - the following neatest thing to sitting side-by-side with an Adobe professional whenever you create 3D magic.

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1). 3D objects are often divided into sections where each section can have a different material. 1. Material Library and Browsing Materials Photoshop now has its own material library and presets. By default, Photoshop installs two sets of presets. One default set of materials is heavily 3D in Photoshop. 10004-3 Copyright Ó 2010 Elsevier Inc. All rights reserved. 1 3D Materials Panel. 37 | 3D in Photoshop dependent on using the Ray Tracer to enable its effects. The other set is less dependent on the Ray Tracer as it inherently has less lighting properties.

Positioning a light can be difficult to get right. There are a couple of tools in Photoshop to help with this process. With any light tool selected, holding down the Option/Alt key and clicking on the canvas will target where that light should either point at (infinite and spot lights) or where the light should be moved to (point lights). You will see the cursor change to indicate a point target (similar to the cursor for defining a Clone Source with the Clone Stamp Tool). Two more commands found in the 3D Lights panel can be very helpful.

With an unwrapped texture, you can view several overlays: Wireframe, Normal Map or Shaded under the 3D menu > Show Overlays. These are layers that get generated which serve as a guide when editing your unwrapped texture. 3. 6 in Chapter 1, we discussed UVs and UV Mapping. Choosing “Reparameterize UVs” uses Photoshop's built-in algorithm for assigning new UVs to your 3D model. It is important to note that this will mean that any textures currently applied to your model will no longer line up in the same place.

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3D in Photoshop : the ultimate guide for creative professionals by Zorana Gee


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