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Download e-book for iPad: A Copyright Masquerade: How Corporate Lobbying Threatens by Monica Horten

By Monica Horten

While hundreds of thousands marched via ice and snow opposed to a copyright treaty, their cries at no cost speech on the web shot to the guts of the eu Union and compelled a political U-turn. The potent leisure industries might in basic terms stare in dismay, their back-room plans in tatters.

This hugely unique research of 3 makes an attempt to usher in new legislation to shield copyright on the net - ACTA, Ley Sinde and the electronic economic climate Act - investigates the dance of impact among lobbyists and their political proxies and unmasks the sophistry in their arguments. Copyright specialist Monica Horten outlines the myriad ways in which lobbyists contrived to circumvent democratic strategy and convince politicians to absorb their reason in implementing an American company time table. In doing so, she argues the case for greater transparency in copyright policy-making.

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Extra info for A Copyright Masquerade: How Corporate Lobbying Threatens Online Freedoms

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Standards. The nudity or sexual humor and slapstick the Japanese consider appropriate for younger readers would be considered vulgar or risqué here. In Japan, such incidents are considered part of human nature, not to be ashamed of, and often provide ripe targets for jokes (discussed more in Chapter Three’s Humor section). In reading comics originally intended for boys or girls, adults may be unnerved or shocked by the content included. Publishers try to rate series appropriately by Western standards and generally succeed.

Japan has more than 430 anime production companies, the bulk of which concentrate on making television series and OVAs. Television production itself usually doesn’t bring in a profit, but DVD and media tie-in sales do. In recent years anime companies have started outsourcing anime work to other countries including China and South Korea. Because most animators learn their craft growing up in the industry, though, animation companies are concerned that this trend will eventually halt Japanese creators’ progress and expertise in the format.

Ikeda Ryoko’s Rose of Versailles displays many of now the standard conventions of shÇjo manga. Early Established Shojo Conventions • a girl dressed as a boy • lithe and beautiful heroes and heroines nearly indistinguishable in their beauty • gender-bending romance • giant and multistarred eyes • the exuberant use of flowers, feathers, and other objects to divide panels These women did not limit themselves to the traditionally feminine genres of romance and historical epic—Takemiya Keiko’s To Terra tackled science fiction on a multigenerational scale.

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A Copyright Masquerade: How Corporate Lobbying Threatens Online Freedoms by Monica Horten


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