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Ach, echt?: Cartoons by Ingmar Decker PDF

By Ingmar Decker

ISBN-10: 384489795X

ISBN-13: 9783844897951

„Ach, echt?“ Diese Frage bewegt die Menschheit seit langer Zeit.

Die Cartoons in diesem Buch bewegen sich um diese Frage herum und zeigen sie in ihrem großen Facettenreichtum – mal gepaart mit Erstaunen, Neugier oder Freude, mal gepaart mit Desinteresse, Lustlosigkeit oder Ignoranz.

Dabei wird die Frage nicht immer beantwortet. Ja, oft wird sie nicht einmal gestellt! Und dennoch schwingt sie immer mit zwischen den Zeilen und Pinselstrichen dieser illustren Auswahl an Cartoons und comedian Strips aus den vergangenen Schaffensjahren des Zeichners.

Mit 114 Zeichnungen – davon sixteen in Farbe. Mit Seitenzahlen. Ohne sonstigen Schnickschnack.

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Download e-book for kindle: Ach, echt?: Cartoons by Ingmar Decker

„Ach, echt? “ Diese Frage bewegt die Menschheit seit langer Zeit.

Die Cartoons in diesem Buch bewegen sich um diese Frage herum und zeigen sie in ihrem großen Facettenreichtum – mal gepaart mit Erstaunen, Neugier oder Freude, mal gepaart mit Desinteresse, Lustlosigkeit oder Ignoranz.

Dabei wird die Frage nicht immer beantwortet. Ja, oft wird sie nicht einmal gestellt! Und dennoch schwingt sie immer mit zwischen den Zeilen und Pinselstrichen dieser illustren Auswahl an Cartoons und comedian Strips aus den vergangenen Schaffensjahren des Zeichners.

Mit 114 Zeichnungen – davon sixteen in Farbe. Mit Seitenzahlen. Ohne sonstigen Schnickschnack.

Extra info for Ach, echt?: Cartoons

Example text

The family had a sense of pride, and we lived well above our means, with as much dignity as we could muster. I think we were quite poor and didn’t know it. But we always sort of managed somehow. My mother was very typical of the girls of that era. She had no formal education. She came over here and as soon as she could stand up straight, I suppose, she was working in a factory: a very typical factory girl of the period. She worked in hat factories until she married my father. My father was very interested in literature and painting and so forth, but he was not a highly literate man.

I’m used to black-and-white done in a manner which can be supportive of colour. Sim: How essential is the format of the comic book to its appeal? Eisner: I think that the comic book technique is a series of pictures with specific reading sequence. And that is essential to its presentation. Whether they are framed by a thick panel or no panel at all is really unimportant. It is a combination of words and pictures which tell a story. And as long as that’s present, whether they are enclosed in a box called a panel or whether there are three of them on a page or four of them on a page is unimportant.

Plastic Man was something we came up with out of an idea I talked with “Busy” about; I think ultimately Jack did it. I am always, or I was anyway, always generating ideas, and it didn’t matter to me where they went or who took them or what. I don’t lay a claim to any of these ideas, it’s just . . you know, everybody gets influenced by everybody else. I was influenced by people who were doing backgrounds for me. And I’m sure they were influenced by me. Benson: You mentioned the story about the atom bomb.

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Ach, echt?: Cartoons by Ingmar Decker


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