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Adobe Photoshop Elements 3: Photographers' Guide - download pdf or read online

By David D. Busch

ISBN-10: 1417566019

ISBN-13: 9781417566013

ISBN-10: 1592004377

ISBN-13: 9781592004379

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The most common films are designed to produce accurate colors when exposed under daylight illumination, but a few professional films are balanced for the much more orange light produced by incandescent lamps. Back in the olden days, most photographers owned a set of filters that would convert one kind of illumination to the other (at the cost of an f-stop or two of exposure). A tungsten-balanced film can be exposed under daylight if a Kodak Wratten 85B filter is used to correct the light. Even if you’re not using film, you can get this kind of wrong color if your white balance is set incorrectly.

5. Use Enhance > Adjust Lighting > Brightness/Contrast and move the Brightness and Contrast sliders each to the right to lighten the fisheye view and increase its contrast. 6. Use Filter> Sharpen > Unsharp Mask to sharpen up the fisheye view a bit. 7. 26, and drag it onto the fisheye view’s layer. ) 8. With the circular area still selected, click on the original image (background) layer and press Shift + Ctrl/Command + D to invert the selection so it includes only the area outside the fisheye view.

High values mean that the difference must be very great before any additional sharpening is applied. Normally, you’ll need this control only when the default value produces an image with excessive noise or some other undesirable effect. To be honest, in all the years I’ve used it, changing the Threshold slider produces effects that were hard to predict, because they varied widely depending on how the other two controls were adjusted, and the nature of the image itself. Your best bet is to set the Amount and Radius sliders first, then experiment with Threshold to see if you like the results any better.

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Adobe Photoshop Elements 3: Photographers' Guide by David D. Busch


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