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Locate recommendations fast with this available encyclopedic consultant. very easily equipped in a transparent A-Z layout, this illustrated prepared reference covers each motion you are going to make as a photographer. you are going to by no means wish it faraway from your facet if you paintings with Photoshop. * Covers all of Photoshop's mass of instruments concisely in an intuitive, colourful format* New part indicates you quickly ideas for daily modifying projects: step by step tutorials illustrate how you can triumph over key initiatives and methods* totally up to date for CS3* contains all types of Photoshop-shortcut keys specify which model of Photoshop is applicableThis visible source is the appropriate better half to each Photoshop ebook in your shelf.
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Extra resources for Adobe Photoshop Elements 6 Maximum Performance: Unleash the hidden performance of Elements
E. no one will be able to tell that you have been ‘tweaking’ (aka enhancing) your image. At the moment, however, you have not tweaked anything, merely isolated it for tweaking. 16 Project 2: Levels Note > If the terminology Feather Selection, when you are in fact looking at a mask, is troubling you then you have my permission to select Selection in the Options bar instead of Mask before feathering. The advantage to feathering or blurring the selection, when it is being viewed as a mask, is that you can see whether the amount of feather is appropriate, and adjust the pixel radius according to the softness of the edge that looks right for your image.
Ansel was careful only to render holes as black (the absence of a surface). Any surface, even those in shadow, would render glorious amounts of subtle detail. Even though you have set your levels (as guided in Project 2 or 3) it is no guarantee that your highlight or shadow tones will be visible in the ﬁnal print. To make sure the highlight detail does not ‘blow out’ (become white) and the shadow detail is not lost in a sea of black ink it is possible to target the highlights and shadows in your image to the brightest and darkest tones that the printer can reproduce.
If colors are still appearing in the image window with the sliders all the way back to the edge of the histogram then your image was either underexposed or overexposed by the camera. If you are really unlucky you will have lost detail both in the shadows and in the highlights as a result of the photographer’s worst enemy - excessive contrast. Not even the magic called Photoshop Elements can dig you out of this hole, my friend. 3 . ). The secret to intelligent color adjustment is that the grass may ‘really’ be greener on the other side.
Adobe Photoshop Elements 6 Maximum Performance: Unleash the hidden performance of Elements by Mark Galer