By Frederick Palmer and Fabio Barraclough (Auth.)
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Additional info for Art and the Young Adolescent
Given a free hand, he will outstrip the original simplicity of the idea and begin to invent. The original newspaper shape will be achieved in new ways. Instead of making one piece as near to a representation of the sheet in the set still life he will begin to tear or cut it into different shapes so that the area of newspaper will be shown with large or small pieces placed either apart from or overlapping one another. Collage Still Life By using different types of paper for the objects instead of paint, the notion of overlapping shapes is made simpler, for the different pieces of paper can be moved easily over the picture before they are finally stuck 26 ART AND THE YOUNG ADOLESCENT down.
Taking care to maintain the original arrangement of the picture, the strips can then be placed on a sheet of paper with a slight space between them. This cutting SHAPE 55 and moving of the photograph will give a feeling of movement. The figure will be seen in a number of different positions across the picture plane. Any object may be made to move in this way, although the most successful will be those which were shown to be moving in the original photograph. A motor car, racing yacht, or horse may supply the subject for such an experiment.
These two circles can be placed one above the other at a distance from each other and then the elevation of the glass can be drawn in charcoal or painted between them. The result, whilst not being a rendering of a glass, will give, by this double viewpoint, the nature of a glass. The elevation gives the most obvious shape of the object which is almost a diagram or symbol and is the shape associated with a glass. The plan, besides giving a second viewpoint, shows that the object is three-dimensional (Fig.
Art and the Young Adolescent by Frederick Palmer and Fabio Barraclough (Auth.)